Sources


 * Facts: || Paraphrase: || Links: || Examples: ||
 * 1. An art gallery is a place where different art forms especially visual arts and paintings are exhibited on a large scale. || - Art galliers are where visual arts andpaintings are shown of a larger scale. ||  ||   ||
 * 2. There are many art galleries existing in modern world but the most famous of them is ‘The Louvre’ in Paris. || - 'The Louvre' in Paris is the most famous of art galleries. ||  ||   ||
 * 3. Not all art galleries around the world are equally famous. || - Not all galleries are famous. ||  ||   ||
 * 4. Among the Italian schools of painting the Venetian has, for the majority of art-loving people, the strongest and most enduring attraction. || - ||  ||   ||
 * 5. The Venetians as a school were from the first endowed with exquisite tact in their use of color. ||  ||   ||   ||
 * 6. Venetians painters are a supreme example to the whole of European painting for the last three centuries. ||  ||   ||   ||
 * 7. Seldom cold and rarely too warm, their coloring never seem an afterthought, as in many of the Florentine painters, nor is it always suggesting paint, as in some of the Veronese masters. ||  ||   ||   ||
 * 8. Next to the finest mosaics of the first centuries, the early works of Giovanni Bellini, the greatest Venetian master of the fifteenth century, best fulfill this religious intention. ||  ||   ||   ||
 * 9. Giovanni Bellini’s contemporaries, Gentile Bellini, the Vivarini, Crivelli, and Cima da Conegliano all began by painting in the same spirit, and produced almost the same effect. ||  ||   ||   ||
 * 10. The church, however, thus having educated people to understand painting as a language and to look to it for the expression of their sincerest feelings, could not hope to keep it always confined to the channel of religious emotion. ||  ||   ||   ||
 * 11. At about the time Bellini and his contemporaries were attaining maturity, the Renaissance has ceased to be a movement carried on by scholars and poets alone. ||  ||   ||   ||
 * 12. Roman literature, which the Italians naturally mastered much earlier than Greek, dealt chiefly with politics and war, seeming to give an altogether disproportionate place to the individual, because it treated only of such individuals as were concerned in great events. ||  ||   ||   ||
 * 13. The result of architecture and sculpture of the renaissance were directly and strongly influenced only in so far as the study of antiquity, painting felt its influence only in so far as the study of antiquity in the other arts had conduced to better draughtsmanship and purer taste. ||  ||   ||   ||
 * 14. Renaissance marks the period of European history at the close of the Middle Ages and the rise of the Modern world. (Early Renaissance) ||  ||   ||   ||
 * 15. It represents a cultural rebirth from the 14th through the middle of the 17th centuries. (Early Renaissance) ||  ||   ||   ||
 * 16. Early Renaissance, mostly in Italy, bridges the art period <span style="font-family: 'Times New Roman'; font-size: 12pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-US;">during the fifteenth century, between the Middle Ages and the High Renaissance in Italy. It is generally known that Renaissance matured in Northen Europe later, in 16th century. (Early Renaissance). ||   ||   ||   ||
 * 17. <span style="font-family: 'Times New Roman'; font-size: 12pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-US;">The term renaissance means rebirth and is used to mark an era of broad cultural achievement as a result of renewed interest in the classical art and ideas of Ancient Greece and Rome. (Early Renaissance) ||  ||   ||   ||
 * 18. <span style="font-family: 'Times New Roman'; font-size: 12pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-US;">By the year 1500, the Renaissance revived ancient forms and content. (Early Renaissance) ||  ||   ||   ||
 * 19. <span style="font-family: 'Times New Roman'; font-size: 12pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-US;">The spiritual content of painting changed - subjects from Roman history and mythology were borrowed. Devotional art of Christian orientation became classically humanized. Classical artistic principles, including harmonious proportion, realistic expression, and rational postures were emulated. (Early Renaissance) ||  ||   ||   ||
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